“I don’t keep track of that kind of stuff?- sales and tickets,” she said. She’s having fun and singing songs she loves and respects. But she insists she’s not paying attention to numbers. On the eve of its release, he told The New York Times, “We wanted to stop worrying about singles and focus on having a critically acclaimed album.”Īfter her current tour of small rooms, Jepsen will spend a big chunk of 2016 playing bigger venues at home in Canada. But weaker, downright wimpy songs by others continue to crowd out Jepsen’s gems at the top of the charts.Īccording to Jepsen’s (and Justin Bieber) manager Scooter Braun, the album has performed just as they wanted. “That’s new for me.”Ī pair of singles - “Run Away With Me” and “I Really Like You” - received decent airplay and strong spins on streaming services. “I do love seeing people at the concerts sing the words to every song,” she added. I made something I’m proud of and put it out beyond that, it’s out of my hands. I prefer making an album I can stand behind to hearing something I don’t like of mine become a hit. “Hearing your song on the radio is amazing,” she said. After recording the biggest song in the world (at least between June and September of 2012), she’s struggled to find a following loyal enough to make “Emotion” a hit. The sales are a different story - she’s about 900,000 copies short of selling a million copies. I needed to write what I wanted to write.” “If I wrote the album hoping it would be loved or sell a million copies, it wouldn’t work. “I have been amazed by the response,” she said. Jepsen calls the music “a passion project” and says the love for “Emotion” blindsided her. “I wanted a balance of indie production and catchy melodies, something a little more understated and yet with these great pop sensibilities,” Jepsen said. (Think Haim with extra hooks and cute giggles.) The LP blends Jepsen’s girl-next-door aesthetic (something missing from the genre since Taylor Swift became a hip New Yorker) with intricate production that winks at Berlin, Belinda Carlisle and Jimmy Jam & Terry Lewis masterpieces. She collaborated with a score of industry aces to find a sound inspired by the ’80s and still modern - she rejected contributions from Bleachers’ Jack Antonoff and super-producer Max Martin to make room for Sia, Lily Allen producer Greg Kurstin and Vampire Weekend’s Rostam Batmanglij. The Canadian star, who plays the Paradise Tuesday, worked on hundreds of tracks while hunting for 12 perfect songs. There is a reason for this: Jepsen’s “Emotion” is an astonishingly delicious fluff ball of cotton-candy pop. Yes, print publications and underground bloggers celebrated the woman who cooed “Call Me Maybe” over Ms. ![]() Rock writers praised fresh albums from Keith Richards and Craig Finn as welcome returns to strong songwriting.Īnd yet Carly Rae Jepsen’s “Emotion” scored better reviews than any of these artists. ![]() Critics recently heralded new works by Janet Jackson and New Order as their best in 20 years.
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